Funerary customs among the Nepa

Bill Ellis | Letters to Ambrose Merton # 19, 1999

There have been some postings recently on the contemporary custom of commemorating those who had died in auto accidents with impromptu roadside shrines. This article appeared in the Hazleton Standard Speaker recently and documents some memorial practices that seem to be related to this complex. Northeastern Pennsylvania (NEPA) is truly an interesting place for folk culture.

Vigil Honors Memory of Edward Speshock Jr.

[Hazleton Standard Speaker, 9 January 1998: 19, 28.]

After 10 years, the memory of Edward Speshock Jr. lives on in the hearts of his family and friends. A candlelight memorial service held Thursday in honor of the Hazleton man proved it.

Nearly 20 people gathered in the Transfiguration Cemetery in West Hazleton to remember Speshock, who was killed Jan. 8, 1988 in an automobile accident. Thursday marked the 10?year anniversary of his death.

The evening service, which lasted about 20 minutes, was conducted by the candlelight each participant held. Several songs, including Steppenwolf’s “Born to be Wild,” were performed with the help of an acoustic guitar.

Several friends and relatives shared personal stories about “Eddie” and told what they remember most about him. A prayer was also recited.

A number of those gathered ritualistically drank half of the alcohol from a shot glass, and poured the rest on the grave.

But most notably, Evelyn, Speshock’s mother, knelt down and kissed the headstone of her son.

People of all ages attended the service. One young girl at the ceremony was merely a toddler at the time of Speshock’s death, but her age did not stop her from honoring a loved one.

At the end of the service, the friends and family of Edward Speshock Jr. left the cemetery the same way they had arrived: together.

Angel & Devil on Your Shoulder 3

Sandy Hobbs | Letters to Ambrose Merton # 19, 1999

Since writing my first piece on this subject, I have come across another example in popular art of the angel and imagery. Part of the interest is that jokes are built on the assumption that the audience will be familiar with concept. Family Guy is a cartoon series aimed at adults, made by Fuzzy Door Productions for Twentieth Century Fox. The episode in question, copyright 1999, has the identfying code 1ACX01.

The central characters are Peter and Lois, a married couple. Peter has lost his job, but Lois doesn’t yet know.

Peter: Ah, geez, how the hell am I going t tell this to Lois? If she finds out I got fired for drinking, she’s going to blame ME.

A Devil (red clothes, horns, carrying a trident) appears over his right shoulder:

Devil: Lie to her. It’s OK to lie to women. They’re not PEOPLE like us.

Peter: Aw, I don’t know… (Looks over his shoulder) Where’s the other guy?

Cut to an Angel (dressed in white, with a halo) stuck in a traffic jam.

Later, Lois who is getting suspicious, says to Peter:

You know, if there’s something wrong you can tell me.

Peter’s Angel appears. He says:

Heh, sorry man, am I late? What did I miss?
Peter: Oh, thank God you’re here. What do I do?

A Devil appears over the Angel’s right shoulder.

Devil: Tell him to keep lying. He’s in too deep.
Angel: Oh. I don’t know… (Looks over his other shoulder) Hey where’s the other guy?

Angel & Devil on Your Shoulder 2

Jacqueline Simpson | Letters to Ambrose Merton # 19, 1999

It was quite a common medieval notion that we all have not only one Good Angel (+ Guardian Angel) but also a Bas Angel (= Demon) assigned by Satan to be our own individual tempter. An early-ish literary use of this idea is in the 15th century morality play, Everyman. The hero is accompanied through life by an angel and a demon who both try to influence him. A very clever modern version is C. S. Lewis’s Screwtop Letters, though there the focus is on the demon.

Shakespeare’s Sonnet 144 exploits the theme:

Two loves I have, of comfort and despair,
Which like two spirits do suggest me still;
The better angel is a man right fair.
The worser spirit a woman colour’d ill.
To win me soon the hell my female evil
Tempteth my better angel from my side…

I think there is a convention in art that an angel would stand on the right of the human being, a devil on the left, and that this is the origin of the stage convention, still observed in pantomime, that the Demon King witches, etc. enter on the left. I’m afraid I can’t precisely document this, though I do note that Philippe Aries in The Hour of Our Death (Part 1, section 3, “Hour of Death: Final Reckoning, p 195 in te paperback edition ) describes an illustrated treatise of 1736, where at the deathbed of a sinner, “to the left we see the devil presenting him with a book which contains the history of his evil life”. The ultimate source would obviously be the Last Judgement sheep-and-goats imagery from the gospels.

Also, when we throw spilled salt over the left shoulder, we are told this is to blind the devil who lurks there.